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Production History (click on play's logo to open that production's page) |
| 2001-02 & 2002-03 SEASONS | |||
| (NOTE: seasons cancelled due to consequences of September 11, 2001 terrorist attacks) | |||
| 2000-2001 SEASON | |||
| (NOTE: company on hiatus) | |||
| 1998-1999 & 1999-2000 SEASONS | |||
![]() | 21/2 Jews Then-75 year-old Alan Brandt's debut play, a seriocomedy about a prominent civil rights attorney who is a schlemiel on the home court in his relationships with his intractable, aging father and budding lawyer son. Subsequently published by BPPI. | ||
| 1997-98 SEASON | |||
![]() | The Lunch Anxieties 1997 New Playwright Award winner Larry Kunofsky's absurdist comedy about four friends whose fears and desires are expressed during lunch. | ||
| 1996-97 SEASON | |||
![]() | On Deaf Ears 1996 New Playwright Award winner Robin Rothstein's comedy about two senior Jewish ladies whose daily poolside powwows are unexpectedly interrupted by family secrets and personal desires. | ||
| 1995-96 SEASON | |||
![]() | ¡Olé! Three viewpoints on the contemporary Latino experience in the United States: Janis Astor del Valle's I'll Be Home Para La Navidad (subsequently published in Amazon All Stars (Applause Books)), Pedro R. Monge-Raful's Trash (subsequently published in Out of the Fringe: Contemporary Latino Theatre (TCG) and Presencia negra: Teatro cubano de la diáspora (Cuban Black Presence in the Theater) (MADRID; Editorial Betania)), and Liza Colón's Sistah Supreme. | ||
![]() | The Magic Formula Sidney Morris' drama about a Holocaust survivor reunited with his son he sent to America prior to the war only to find that his son was nonetheless a victim of the Holocaust and shock treatment therapy for his homosexuality. Subsequently published by Dialogus Play Service. | ||
| 1994-95 SEASON | |||
![]() | My Soul Is Mine: A Runaway's Story Mark Robert Gordon's poetic, rhythmic tale of a gay runaway teen living on New York City streets. | ||
![]() | the dreamer examines his pillow A revival production of John Patrick Shanley's surreal study of the often bizarre byways which love between men and women can follow. Previously produced Off-Broadway; previously published by Dramatists Play Service. |
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