Reviews and Quotes
"The Unsung Heroes of 1995"
-Theater Week (1/1/96)
"Expert performances...the work of a promising playwright."
"Understanding and Compasssionate."
- NY Times
"Off Broadway's most prestigious hit."
- Sir Ian McKellan
 

1998-2000 Season
Alan Brandt's

          

"Understanding and Compassionate."
--New York Times
"A Triple Mitzvah."
--NY Law Journal
"Winning Hit Comedy."
--NY-1 TV
"Funny...Any Father, Any Son, Mother and Wife, Will Recognize Themselves."
--Arizona Republic

NEW YORK, WEDNESDAY, DECEMBER 30, 1998
Movies
Winning or Losing in Law and Love
LAWRENCE VAN GELDER

Nathan Minter is one of those overbearing men who believe that success in their chosen professions makes them, without further effort, successful sons, husbands and fathers.

As Alan Brandt sets out to demonstrate in "2 1/2 Jews," his understanding and compassionate debut play, which bares a man's flaws but shies from tragedy, Nathan Minter is a winner as a humanitarian lawyer but a loser in his personal relationships. Oh, his 78-year-old immigrant father, Morris, may refer to him as the "Jewish Clarence Darrow," and his Yale-educated son, Marc, may call him the "Albert Schweitzer of the legal profession," but the descriptions are drenched in bitterness.

Nathan, played by Richard M. Davidson, may boast of his victories against the odds and his commitment to hopeless and indigent clients, but he is blind to his self-absorption, his anger and the damage he inflicts on those closest to him. His gentile wife of 34 years can no longer accept his repeated absences, for professional reasons, from important family occasions like their son's graduation and Thanksgiving dinner.

"She likes being married to a winner" is Nathan's arrogant explanation for why he is certain she will understand his latest failure to appear.

Nathan's son (Tyagi Schwartz) may have followed in his father's footsteps to become a lawyer and a newly minted partner in a white-shoe law firm. But he is the object not of his father's unalloyed pride but of suggestions that he should have spurned upscale lawyering in favor of partnership with Nathan.

And while the obstreperous Morris (Sam Gray), a free-thinking immigrant who arrived at 16 from Lithuania and settled in the Bronx, can see Nathan clearly from the vantage point of his years and experience, Nathan doesn't want to listen to him, either.

Nathan will have to pay a price before he can begin to achieve self-understanding.

Mr. Brandt, the author of "2 1/2 Jews," which is playing until Feb. 7 at the Raymond J. Greenwald Theater in Chelsea, comes to play writing at 75 after a career as a lyricist of songs like "That's All," a publicist and, more recently, a dealer in primitive art. So, like Morris, he brings the experience of a lifetime to his intergenerational drama.

"2 1/2 Jews," sprinkled with lighthearted moments, remains an easy-to-watch cautionary tale. Under the direction of Joe Brancato, the conflicts are clear, and the cast is well chosen, with Mr. Gray as the feisty Morris a particular delight.


1997-98 Season
Larry Kunofsky's

          

"A lot that is clever here... fresh."
-The American Reporter

1996-97 Season
Robin Rothstein's

          

"Rothstein's comedy looks lonliness and despair in the face, stares it down unblinkingly and gives us several laughs along the way...priceless."
-Resident Publications

NEW YORK, WEDNESDAY, JANUARY 1, 1997
THEATER REVIEW

Talking and Reading
In Place of Listening

By LAWRENCE VAN GELDER

  Sadie and Evelyn may seem at first to be unlikely friends. Sadie likes to talk. Evelyn likes to read. But neither of these two elderly Jewish women, living alone in a condominium complex in Fort Lauderdale, Fla., likes to listen.
  As Robin Rothstein's play "On Deaf Ears" unfolds, it is clear that Sadie doesn't want to know the truth about her children. To hear her tell it, her perfect son, Danny, is a great artistic talent, living in Paris, touring Europe and sending frequent postcards. And her daughter, Lila, though obviously not Sadie's favorite, hasn't done badly, either. After all, she's going with a doctor named Barry.
  As for Evelyn, she seems so perfectly happy to bury herself in novels that she can turn a deaf ear to Jimmy O'Gara, the dashing Irishman who would dearly love to be her special friend. But things aren't what they seem to be, and before the night is over, more than a few facades will be stripped away.
  "On Deaf Ears" receives expert performances from a cast that includes Chevi Colton as Sadie, Rosemary Prinz as Evelyn, Gil Rogers as Jimmy, Susan Finch as Lila and Dana Smith as Barry. Directed by John Ruocco, it is the work of a promising playwright.


1995-96 Season

One-acts by
Janis Astor del Valle,
Liza Colon,
Pedro R. Monge-Rafuls

"Fresh, insightful, and marked by
earnestness." -Downtown Resident

by Sidney Morris

"Morris' consumate skill evokes a bygone
era of commercial theater." -Jewish Week

"A heartwarming tale." -New York Native


1994-95 Season

by Mark Robert Gordon

"A gut-wrencher." -NEXT Magazine

"Powerful." -Michael's Thing

"Off Broadway's most prestigious hit." - Sir Ian McKellan